Here we have three rare antique lithographs published in 1845 by E. Cambart, London for "Thomas Sidney Cooper's Cattle Subjects." Lithographed by J. West Giles after Thomas Sidney Cooper. The horse print set contains lithographs No. 3, No. 7, and No. 12. These lithographs were produced while Thomas Sidney Cooper was alive.
The antique prints definitely show their age. There is some foxing as well as tears along the edges. Please see all pics as they are part of the description. Given the condition, these images still pop!
The rare art prints measure 20 x 12.5 inch.
I ship to the continental USA only. The lithographs will be shipped in acid free sleeves. Free shipping on the lot.
Here is the biography for the artist:
Thomas Sidney Cooper was born at Canterbury, Kent, and as a small child he began to show strong artistic inclinations, but the circumstances of his family did not allow him to received any systematic training. By the time he was twelve years old, he was working in the shop of a coach painter. Later he obtained a job as a scene painter; and he alternated between these two occupations for about eight years. He still felt a desire to become an artist, and all his spare moments were spent drawing and painting from nature. At the age of twenty he went to London, drew for a while in the British Museum, and was admitted as a student of the Royal Academy.
He then returned to Canterbury, where he was able to earn a living as a drawing-master and by the sale of sketches and drawings. In 1827 he settled in Brussels and married; there he met Eugène Joseph Verboeckhoven. Because of the Belgian Revolution he returned to London, and by showing his first picture at the Royal Academy (1833) began an unprecedentedly prolonged career as an exhibitor. When the competition was announced for the decoration for the new Houses of Parliament, to be held at Westminster Hall in 1847, Cooper submitted The Defeat of Kellermann's Cuirassiers and Carabiniers by Somerset's Cavalry Brigade at Waterloo, June 18, 1815, without success.[1] In order to complete the picture, the artist used Siborne's model of the battlefield then on exhibition in London, while a friend in Brussels sent him breastplates worn by the various cavalry regiments, and a trooper of the Life Guards acted as a model.
He is mainly associated with pictures of cattle or sheep, a fact that earned him the epithet 'Cow Cooper'. Cooper collaborated between 1847 and 1870 with Frederick Richard Lee R.A. on several paintings, Lee undertaking the landscapes, and Cooper adding animals to complete the scene.[2] He was elected an Associate of the Royal Academy (ARA) in 1845 and Royal Academician (RA) on 22 June 1867.[3] The oldest member of the Royal Academy of Arts at the time of the accession of King Edward VII in 1901, Cooper was in July 1901 received by the King in audience,[4] and appointed a Commander of the Royal Victorian Order (CVO).[5]
He was a great philanthropist in Canterbury, and used some of his wealth to build a number of Alms Houses for the poor in Chantry Lane in the centre of the city.[6] Most notably in 1882 he developed his private art lessons into a full-fledged art school in Canterbury, located at his home and studio in St Peter's Street. Originally called the Canterbury Sidney Cooper School of Art, Cooper's art school is still in existence although it is now called the University of Creative Arts.[7] Amongst Cooper's more well-known students was Mary Tourtel, creator and illustrator of the Rupert Bear books for children.
He wrote his reminiscences, under the title of My Life, in 1890. The largest public collection of Cooper paintings is owned by Canterbury City Council and housed at the Royal Museum and Art Gallery (Beaney Institute) in Canterbury. Examples are also held by the Tate Gallery, London, and the Victoria and Albert Museum, London, and other public collections, mainly in Britain.
